Eine Bach-Pilgerreise in Deutschland

Ein Teil des Goethe-Chores reist vom 16. bis 21. Juli nach Deutschland auf der Spur Johann Sebastian Bachs. Wir werden in Jena in Thüringen bleiben und an verschiedenen Orten auftreten, die mit dem großen Komponisten verbunden sind. Dazu gehören Konzerte in der Bachkirche in Arnstadt (wo er seine erste Stelle als Kirchenorganist antrat), der Kaufmannskirche in Erfurt (wo seine Eltern heirateten), der Nikolaikirche in Leipzig (eine der Leipziger Kirchen, für deren Musik Bach von 1723 bis zu seinem Tod 1750 als Kantor verantwortlich war) und dem Bachhaus in Eisenach (Bachs Geburtsort). Außerdem werden wir in der Dorfkirche in Schlöben bei Jena singen.

Unser Konzertprogramm:

Freitag, 17. Juli, 12:00 Uhr – Bachkirche Arnstadt – 30-minütiges Mittagskonzert

Freitag, 17. Juli, 19:30 Uhr – Kaufmannskirche Erfurt – Konzert

Samstag, 18. Juli, 19:00 Uhr – Dorfkirche Schlöben – Konzert

Sonntag, 19. Juli, 10:00 Uhr – Nikolaikirche Leipzig – Gesang im Abendmahlsgottesdienst

Montag, 20. Juli, 14:00 Uhr – Bachhaus Eisenach – 15-minütiges ungezwungenes Gartenkonzert

Unser Programm umfasst irische Chor- und Instrumentalwerke aus fünf Jahrhunderten. In den beiden Konzerten in Erfurt und Schlöben wird unter anderem Zwei Königinnen – ein Schicksalstreffen aufgeführt – eine Kantate über das Treffen von der irischen ‚Piratenkönigin‘ Grace O‘Malley mit der englischen Königin Elizabeth I in Greenwich.

Der Chor steht unter der Leitung des Gastdirigenten David Leigh und wird von Reinhold Meiser aus Ingolstadt an Orgel/Klavier/Keyboard sowie für die Konzerte in Erfurt und Schlöben von Eamonn Galldubh an Uilleann Pipes und Flöte begleitet.

A Bach Pilgrimage in Germany

A section of the Goethe Choir will be visiting Germany from 16-21 July, travelling on the trail of Johann Sebastian Bach. We will be based in Jena in Thüringen and performing in a number of places associated with the great composer. This includes singing in the Bachkirche in Arnstadt (where he had his first job as church organist), the Kaufmannskirche in Erfurt (where his parents were married), the Nikolaikirche in Leipzig (which was one of the Leipzig churches for which Bach had responsibility for supervising the music as Kantor from 1723 until his death in 1750) and the Bachhaus in Eisenach (where Bach was born), as well as performing in the Dorfkirche in Schlöben near Jena.

Our performance schedule is:

Friday 17th July 12 noon – Bachkirche Arnstadt – 30-minute lunchtime concert

Friday 17th July 7.30 pm – Kaufmannskirche Erfurt – concert

Saturday 18th July 7 pm – Dorfkirche Schlöben – concert

Sunday 19th July 10 am – Nikolaikirche Leipzig – singing at communion service

Monday 20th July 2 pm – Bachhaus Eisenach – 15-minute informal garden singing  

Our programme consists of Irish choral and instrumental works ranging over 5 centuries. The two concerts in Erfurt and Schlöben will feature a performance of ‘Greenwich Parley – an Elegy for Two Queens’, a cantata about the meeting of the Irish ‘pirate queen’ Grace O’Malley with the English Queen Elizabeth I in Greenwich.

The choir will be under the direction of guest conductor David Leigh, and will be joined by Reinhold Meiser from Ingolstadt on organ / piano / keyboard and for the concerts in Erfurt and Schlöben by Eamonn Galldubh on Uilleann Pipes & Flute.

Karl Jenkins ‘Stabat Mater’ in Dublin

The Goethe Choir will be presenting a rare performance in Ireland of ‘Stabat Mater’ by the Welsh composer Karl Jenkins, which will be taking place at 8pm on Saturday, March 14, 2026 in Christ Church Cathedral, Dublin.

Some members of the choir travelled to Lüneburg, Germany in November 2024 to join the Städtische Cantorei Lüneburg in a performance of this work (see https://goethechoir.ie/karl-jenkins-stabat-mater-in-luneburg/), and we are delighted to be able to welcome a number of members of the Lüneburg choir back to Dublin to join us in singing the work in Ireland. We will be joined by soloists Samira al-Amrie (who also sang the solo part in Lüneburg) and Aiko Bormann, organist Tom Little and the Goethe Ensemble, all under the direction of John Dexter. We will also be singing Benjamin Britten’s ‘A Hymn to the Virgin’ and ‘ A Hymn of St. Columba’, to mark the 50th anniversary of the death of the composer.

Tickets costing €25 (plus booking fee) are available from Eventbrite at https://www.eventbrite.ie/e/stabat-mater-tickets-1980822299821 but there is an early-bird offer of €20 per ticket (plus booking fee), which is available until February 13th.

Purcell’s Dido and Aeneas in the Civic Theatre, Tallaght 20 May 2025

The Goethe Choir is excited to announce a semi-staged performance of Henry Purcell’s opera Dido and Aeneas—one of the most significant works in the Baroque opera repertoire —at the Civic Theatre, Tallaght on Tuesday 20 May at 7.30pm. Adapted from Virgil’s Aeneid it tells the tragic love story of Dido, the Queen of Carthage, and Aeneas, a Trojan hero.

The cast is led by Irish mezzo-soprano Sharon Carty—with her ‘velvety expressive voice’ (The Journal of Music) and the ‘richly varied’ and ‘powerful’ (Bachtrack) Irish baritone Benjamin Russell in the two title roles, supported by rising young soprano Hannah Gries and popular Irish soprano Katy Kelly. The performance also features dancer, actor and theatre-maker Stephanie Dufresne, internationally acclaimed classical guitarist Perry Schack and the Lumiere Quartet—led by Irish Baroque Orchestra leader Claire Duff. All will be under the baton of the choir’s musical director John Dexter.

Henry Purcell (1659–1695)—‘the English Orpheus’—was organist of Westminster Abbey and the royal composer to three English kings: Charles II, James II and William III. Though most prolific as a songwriter—composing more than 100 secular songs and about 40 duets—he also developed an interest in writing music for the theatre.

Based on a libretto by the Irish-born playright and adapter Nahum Tate, the work focuses on the ill-fated love affair between Aeneas, once a Prince, now leader of a refugee fleet of survivors from the fall of Troy and Dido, founding ruler (and future goddess) of the city of Carthage. The opera is structured in a prologue and three acts.

Tickets costing €35 (plus €2 booking fee) may be booked online at https://www.civictheatre.ie/whats-on/goethe-choir/

Stainer’s ‘Crucifixion’ in St. Ann’s, Dublin 22/03/2025

The Goethe Choir’s next concert will be a performance of John Stainer’s popular oratorio ‘Crucifixion’. This will take place at 3pm on Saturday 22nd March in St. Ann’s Church, Dawson Street, Dublin 2. The choir will be conducted by John Dexter and will be joined by soloists Conor Prendiville (Tenor) and Gyula Nagy (Bass), ably supported by Charles Marshall (Organ).

Written and first performed in 1887, the oratorio tells the story of Christ’s Passion and Resurrection and contains some much-loved sections, including the hymn ‘All for Jesus’ and the unaccompanied anthem ‘God so loved the world’. This is a rare opportunity to hear a performance of a popular work not often given in Dublin.

Tickets costing €20 (plus booking fee) can be purchased online via Eventbrite at https://www.eventbrite.ie/e/goethe-choir-presents-the-crucifixion-by-john-stainer-tickets-1209945392239.

Karl Jenkins ‘Stabat Mater’ in Lüneburg

Several members of the Goethe Choir travelled independently of the choir to Lüneburg in northern Germany from 21-24 Nov 2024 to take part in a performance of Karl Jenkins’ choral work ‘Stabat Mater’ with the Städtische Cantorei of Lüneburg. We had been invited to take part by two current members of the Lüneburg choir who had previously been members of the (then) Goethe-Institut Choir and who had taken part with us in a concert of Jenkins’ music in 2014 in the National Concert Hall in Dublin under the direction of the composer, during this 70th birthday tour.

After some personal practice at home and a group rehearsal the evening before our trip, we flew to Hamburg early on November 21st and travelled onward to Lüneburg by train. This allowed us to join the 90-member choir in their final rehearsals on the evenings of the 21st and 22nd, culminating in the concert on Saturday, the 23rd. The event was held in a large, converted barn on a country estate just outside Lüneburg, now transformed into a modern concert hall. With orchestral accompaniment, the performance was met with enthusiasm by a capacity audience, Jenkins’ work being popular and featuring many memorable musical moments.

We received a wonderfully warm and welcoming reception from the Lüneburg choir members and in particular from the host families with whom we stayed, which made the trip a very memorable and rewarding experience for all. And we had a chance to share our apprecation and enjoyment with our choral companions after the concert, complete in some cases with Karl Jenkins moustaches, as you can see here.